ポストモダン音楽とは、ポストモダン時代に制作された芸術音楽の伝統的な音楽である。また、ポストモダニズムの美学的・哲学的傾向に従った音楽も指す。 美学的運動としては、モダニズムへの反発から形成された部分もあるが、主にモダニズム音楽 (近代音楽)に対立するものとして定義されているわけではない。ポストモダニストは、学問分野の厳密な定義やカテゴリーに疑問を持ち、それらを単に近代の名残とみなしている。

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dbo:abstract
  • ポストモダン音楽とは、ポストモダン時代に制作された芸術音楽の伝統的な音楽である。また、ポストモダニズムの美学的・哲学的傾向に従った音楽も指す。 美学的運動としては、モダニズムへの反発から形成された部分もあるが、主にモダニズム音楽 (近代音楽)に対立するものとして定義されているわけではない。ポストモダニストは、学問分野の厳密な定義やカテゴリーに疑問を持ち、それらを単に近代の名残とみなしている。 (ja)
  • ポストモダン音楽とは、ポストモダン時代に制作された芸術音楽の伝統的な音楽である。また、ポストモダニズムの美学的・哲学的傾向に従った音楽も指す。 美学的運動としては、モダニズムへの反発から形成された部分もあるが、主にモダニズム音楽 (近代音楽)に対立するものとして定義されているわけではない。ポストモダニストは、学問分野の厳密な定義やカテゴリーに疑問を持ち、それらを単に近代の名残とみなしている。 (ja)
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  • Born, Georgina. 1995. Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde. Berkeley, Los Angeles, and London: University of California Press. (ja)
  • Sanches, Pedro Alexandre. 2000. Tropicalismo: Decadência Bonita do Samba. São Paulo: Boitempo Editorial. (ja)
  • Gagné, Nicole V. 2012. Historical Dictionary of Modern and Contemporary Classical Music. Historical Dictionaries of Literature and the Arts. Lanham, Maryland: Scarecrow Press. . (ja)
  • Carl, Robert. 1990. "Six Case Studies in New American Music: A Postmodern Portrait Gallery". College Music Symposium 30, no. 1 : 45–63. (ja)
  • Pasler, Jann. 2001. "Postmodernism." The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. Reprinted, Oxford Music Online, . (ja)
  • Harvey, D. 1990. The Condition of Postmodernity. Oxford: Basil Blackwell. . (ja)
  • Smart, Barry. 1993. Postmodernity. Key Ideas, series editor Peter Hamilton. London and New York: Routledge. . (ja)
  • LeBaron, Ann. 2002. "Reflections of Surrealism in Postmodern Musics". In Postmodern Music/Postmodern Thought, edited by Judy Lochhead and Joseph Aunder, 27–74. New York: Routledge. . (ja)
  • Geyh, Paula E. n.d. Postmodernism—Postmodernism in Literature and Art. Science Encyclopedia, jrank.org . (ja)
  • Butler, Christopher. 1980. After the Wake: An Essay on the Contemporary Avant-Garde. Oxford: Clarendon Press; New York: Oxford University Press. (ja)
  • Mankowskaya, Nadia. 1993. "L'esthétique musicale et le postmodernisme". New Sound: International Magazine for Music, no. 1:91–100. (ja)
  • Adorno, Theodor W. 2002. "On The Fetish-Character in Music and the Regression of Listening". In his Essays on Music, selected, with introductions, commentary, and notes by Richard Leppert; new translations by Susan H. Gillespie. Berkeley, 288–317. Los Angeles, and London: University of California Press. . (ja)
  • Sullivan, Henry W. 1995. The Beatles with Lacan: Rock 'n' Roll as Requiem for the Modern Age. Sociocriticism: Literature, Society and History Series 4. New York: Lang. . (ja)
  • Meyer, Leonard B. 1994. Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture, second edition. Chicago and London: University of Chicago Press. . (ja)
  • Jameson, Fredric. 1991. Postmodernism, or, the Cultural Logic of Late Capitalism. Durham: Duke University Press. ; . (ja)
  • Fisher, Mark. 2009. Capitalist Realism: Is There No Alternative? Winchester, UK, and Washington, DC: Zero Books. . (ja)
  • Karolyi, Otto. 1994. Modern British Music: The Second British Musical Renaissance—From Elgar to P. Maxwell Davies. Rutherford, Madison, Teaneck: Farleigh Dickinson University Press; London and Toronto: Associated University Presses. . (ja)
  • Ofenbauer, Christian. 1995. "Vom Faltenlegen: Versuch einer Lektüre von Pierre Boulez' Notation I". Musik-Konzepte, nos. 89–90:55–75. (ja)
  • Morris, Geoffrey. 2009. "The Guitar Works of Aldo Clementi". Contemporary Music Review 28, no. 6 : 559–586. (ja)
  • Connor, Steven. 2001. "The Decomposing Voice of Postmodern Music". New Literary History 32, no. 3: Voice and Human Experience : 467–483. (ja)
  • Kramer, Jonathan. 2002. "The Nature and Origins of Musical Postmodernism." In Postmodern Music/Postmodern Thought, edited by Judy Lochhead and Joseph Aunder, 13–26. New York: Routledge. Reprinted from Current Musicology no. 66 : 7–20. (ja)
  • Berger, Arthur Asa. 2003. The Portable Postmodernist. Walnut Creek: Altamira Press. ; . (ja)
  • Petrusëva, Nadežda Andreevna. 2003. "Новая форма в новейшей музыке" [The Formal Innovations of Postmodern Music]. Muzyka i vremâ: Ežemesâčnyj naučnyj kritiko-publicističeskij žurnal, no. 8: 45–48. (ja)
  • Albright, Daniel. 2004. Modernism and Music: An Anthology of Sources. University of Chicago Press. . (ja)
  • Fox, Christopher. 2004. "Tempestuous Times: The Recent Music of Thomas Adès". The Musical Times 145, No. 1888 : 41–56. (ja)
  • Kutschke, Beate. 2010. "The Celebration of Beethoven's Bicentennial in 1970: The Antiauthoritarian Movement and Its Impact on Radical Avant-garde and Postmodern Music in West Germany". The Musical Quarterly 93, nos. 3–4 : 560–615. (ja)
  • Rosenau, Pauline Marie. 1992. Post-Modernism and the Social Sciences: Insights, Inroads, and Intrusions. Princeton: Princeton University Press. ; . (ja)
  • O'Reilly, Tim. 1994. "Bad Religion Takes Postmodern Punk Mainstream". The Daily Princetonian 118, no. 4 : 10. (ja)
  • Born, Georgina. 1995. Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde. Berkeley, Los Angeles, and London: University of California Press. (ja)
  • Sanches, Pedro Alexandre. 2000. Tropicalismo: Decadência Bonita do Samba. São Paulo: Boitempo Editorial. (ja)
  • Gagné, Nicole V. 2012. Historical Dictionary of Modern and Contemporary Classical Music. Historical Dictionaries of Literature and the Arts. Lanham, Maryland: Scarecrow Press. . (ja)
  • Carl, Robert. 1990. "Six Case Studies in New American Music: A Postmodern Portrait Gallery". College Music Symposium 30, no. 1 : 45–63. (ja)
  • Pasler, Jann. 2001. "Postmodernism." The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. Reprinted, Oxford Music Online, . (ja)
  • Harvey, D. 1990. The Condition of Postmodernity. Oxford: Basil Blackwell. . (ja)
  • Smart, Barry. 1993. Postmodernity. Key Ideas, series editor Peter Hamilton. London and New York: Routledge. . (ja)
  • LeBaron, Ann. 2002. "Reflections of Surrealism in Postmodern Musics". In Postmodern Music/Postmodern Thought, edited by Judy Lochhead and Joseph Aunder, 27–74. New York: Routledge. . (ja)
  • Geyh, Paula E. n.d. Postmodernism—Postmodernism in Literature and Art. Science Encyclopedia, jrank.org . (ja)
  • Butler, Christopher. 1980. After the Wake: An Essay on the Contemporary Avant-Garde. Oxford: Clarendon Press; New York: Oxford University Press. (ja)
  • Mankowskaya, Nadia. 1993. "L'esthétique musicale et le postmodernisme". New Sound: International Magazine for Music, no. 1:91–100. (ja)
  • Adorno, Theodor W. 2002. "On The Fetish-Character in Music and the Regression of Listening". In his Essays on Music, selected, with introductions, commentary, and notes by Richard Leppert; new translations by Susan H. Gillespie. Berkeley, 288–317. Los Angeles, and London: University of California Press. . (ja)
  • Sullivan, Henry W. 1995. The Beatles with Lacan: Rock 'n' Roll as Requiem for the Modern Age. Sociocriticism: Literature, Society and History Series 4. New York: Lang. . (ja)
  • Meyer, Leonard B. 1994. Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture, second edition. Chicago and London: University of Chicago Press. . (ja)
  • Jameson, Fredric. 1991. Postmodernism, or, the Cultural Logic of Late Capitalism. Durham: Duke University Press. ; . (ja)
  • Fisher, Mark. 2009. Capitalist Realism: Is There No Alternative? Winchester, UK, and Washington, DC: Zero Books. . (ja)
  • Karolyi, Otto. 1994. Modern British Music: The Second British Musical Renaissance—From Elgar to P. Maxwell Davies. Rutherford, Madison, Teaneck: Farleigh Dickinson University Press; London and Toronto: Associated University Presses. . (ja)
  • Ofenbauer, Christian. 1995. "Vom Faltenlegen: Versuch einer Lektüre von Pierre Boulez' Notation I". Musik-Konzepte, nos. 89–90:55–75. (ja)
  • Morris, Geoffrey. 2009. "The Guitar Works of Aldo Clementi". Contemporary Music Review 28, no. 6 : 559–586. (ja)
  • Connor, Steven. 2001. "The Decomposing Voice of Postmodern Music". New Literary History 32, no. 3: Voice and Human Experience : 467–483. (ja)
  • Kramer, Jonathan. 2002. "The Nature and Origins of Musical Postmodernism." In Postmodern Music/Postmodern Thought, edited by Judy Lochhead and Joseph Aunder, 13–26. New York: Routledge. Reprinted from Current Musicology no. 66 : 7–20. (ja)
  • Berger, Arthur Asa. 2003. The Portable Postmodernist. Walnut Creek: Altamira Press. ; . (ja)
  • Petrusëva, Nadežda Andreevna. 2003. "Новая форма в новейшей музыке" [The Formal Innovations of Postmodern Music]. Muzyka i vremâ: Ežemesâčnyj naučnyj kritiko-publicističeskij žurnal, no. 8: 45–48. (ja)
  • Albright, Daniel. 2004. Modernism and Music: An Anthology of Sources. University of Chicago Press. . (ja)
  • Fox, Christopher. 2004. "Tempestuous Times: The Recent Music of Thomas Adès". The Musical Times 145, No. 1888 : 41–56. (ja)
  • Kutschke, Beate. 2010. "The Celebration of Beethoven's Bicentennial in 1970: The Antiauthoritarian Movement and Its Impact on Radical Avant-garde and Postmodern Music in West Germany". The Musical Quarterly 93, nos. 3–4 : 560–615. (ja)
  • Rosenau, Pauline Marie. 1992. Post-Modernism and the Social Sciences: Insights, Inroads, and Intrusions. Princeton: Princeton University Press. ; . (ja)
  • O'Reilly, Tim. 1994. "Bad Religion Takes Postmodern Punk Mainstream". The Daily Princetonian 118, no. 4 : 10. (ja)
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rdfs:comment
  • ポストモダン音楽とは、ポストモダン時代に制作された芸術音楽の伝統的な音楽である。また、ポストモダニズムの美学的・哲学的傾向に従った音楽も指す。 美学的運動としては、モダニズムへの反発から形成された部分もあるが、主にモダニズム音楽 (近代音楽)に対立するものとして定義されているわけではない。ポストモダニストは、学問分野の厳密な定義やカテゴリーに疑問を持ち、それらを単に近代の名残とみなしている。 (ja)
  • ポストモダン音楽とは、ポストモダン時代に制作された芸術音楽の伝統的な音楽である。また、ポストモダニズムの美学的・哲学的傾向に従った音楽も指す。 美学的運動としては、モダニズムへの反発から形成された部分もあるが、主にモダニズム音楽 (近代音楽)に対立するものとして定義されているわけではない。ポストモダニストは、学問分野の厳密な定義やカテゴリーに疑問を持ち、それらを単に近代の名残とみなしている。 (ja)
rdfs:label
  • ポストモダン音楽 (ja)
  • ポストモダン音楽 (ja)
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